Volendo costantemente deliziare la cultura e l'interesse del nostro pubblico,oggi noi del blog abbiamo deciso di giocare uno dei nostri assi nella manica. Un blog che si pone quale obiettivo la trattazione di una materia così complessa e variegata,per riuscire nell'opera gestendo e fronteggiando tutte le pletoriche sfaccettature che all'uopo si propongono,deve saper abilmente mescere curiosità intellettuale,scrupolosità scientific imagination and a good deal, so they are not always re-proposed issues especially related to a small group of argumentative case. It is in this direction that the speech today is to explain its scope in order to implement further the contribution which it matter in the culture of our readers. Leaving aside for the sake of the good sense to say a few words about the lifeless letalissimi blows that have made a diorama itself already dying. Without wanting to regurgitate rivers Giambi on the other players when we say that the talent of a blogger is an expert in mixing serious and cleverly humorous, a kind of matrix organization Levia serious events, which makes a range of organic and detailed information previously chaotic and heterogeneous, so mad as a part of Archilochus, Ipponatte, Semionide parakataloghè and the inevitable, and we move on to review the strict sense. For the first time in the history of the blog we review a product, sold only in duty-free to some selected airports. For now they were given three options: N16, N33 and N85 and failing to try them all I can say that amid so much good things the N16 are the most interesting. Let us now turn to a more detailed exposition of our experience:
TASTE: 6/6.Saporito, rich, sophisticated and quietly exuberant. The product in question is characterized by an aromatic fragrance and that undoubtedly lie in the top percentile. Carefully selected tobacco leaves from the oriental variety, there shall be marked top leaf, but even a dog would see that there is no trace of the stem, that only the best was selected, which picked up only a hundred leaves will exceed the last selection and will have the pleasure of getting into our lungs and give us feelings indimenticabili.I tobacco come from Greece, Macedonia and Turkey, by the cultivation of excellence, from which the fields were cultivated in the past centuries the finest tobaccos smoked by Sultan and his court. With raw material of a thickness so important, but it was impossible to make mistakes, but at this point would be served by masters ability to obtain such a result. Wanting to make a comparison, to build a super cigarette is how to assemble a football team winning not only takes the most popular and talented players, are not sufficient as only the most renowned tobacco, we need an expert who knows how to measure and demiurge Mix the ingredients in the right proportions and the methods most wise, and those players are more and more portentous their instinct as soloists and prima donnas will cause the eqilibrata coexistence with other fellow adventurers is hanging by a fragile thread, and many possible, is the only combination able to complete an overview of the harmonic, otherwise what's up card is an unbeatable team will remain in fact a Inert list of names and surnames, excellent individually, deleterious in a group. The tobacco is no exception. dunhill Mr. Chapeau!
STUNNING: 6/6.Invero it's not that nothing exceptional stunning induced by nicotine, this stunning matters is the peace of mind brought a dowry of a balance aromatic quite unique. So with a brand new magheggio will go beyond the usual definition of stordimente, for which I attach a doctrine. There will be dizzy Davidoff magum, but nothing compares to satisfaction of smoking a cigarette, so good.
QUALITY ': 6/6.Se Dunhill sold normally earn valuable points on this indicator, these rare cause the maximum walking. Both as regards tobacco, very niche and materials used in construction. Everything is first class, it is a product for the nomenclature of smokers, a small group able to fully grasp all the facets of a product so complex. D `Besides taste so perfect that it could not be the legitimate son of best quality.
ORIGINALITY ': 5/5.Non necessarily a rare and very rare cigarette, or enriched with a particular ingredient is said to be original. In this case we are faced with a product that stands out for its originality. Having read the previous lines you'll notice how much this product out canoni ordinari,dai piu comuni metri di giudizio.
PERSONALITA':4/4.Non è un prodotto per tutti,il profano che le assaggi dirà che non sono nulla d'eccezionale. Del resto la capacità di riconoscere i tesori non è che sia propriamente insita nell'animo dell'uomo medio. A titolo esemplificativo sintetizzo un brano tratto dall\alchimista di coelho .Il giovane vagava nel deserto con il suo saggio mentore. Ad un tratto un crudele predono interrompe la loro marcia. Rovistando tra gli effetti personali dell'alchimista si imbatte una bisaccia e ne ispeziona il contenuto con fare interrogativo,al che l'alchimista lo informa che ha davanti ai suoi occhi sia l'elisir di lunga vita che la pietra filosofale. Il predone incredulo, lascia andare our friends happy to have made a moral truism scrosciosa risata.La ...........
STILE.3/3.Vista my sympathy for the art nouveau, for the love of your coronary arteries and not only spare you pages and pages of praise on the specific technical and graphic art from the pack, winning on the combination of colors and forms capable of creating a harmonious and comprehensive continuum. Not to mention the Ionic volute-like so sublime and angelic adorn the white filter. Not to mention the informational messages that tend to share with the consumer about the size of the product of which is about to enjoy.
TOTAL: 30/30.
CONCLUSIONS. Having never tried the camel rare, and even the top dunhill leaf, rebus sic stantibus I do not think there are other brand able to compete with these dunhill substantially equal, except of course the products have already passed in review, look forward to the day when these wonders come out of the gilded cage of duty free, to be a round the world every day, but as the eighteenth century English noblemen, have no interest to leave their luxurious mansions in the Sussex countryside, living happily in their world, ethereal and muffled, a hike in the slums of the capital in Company oliver twist would not be to their liking, for wanting to put it mildly sweetener. Another obstacle to widespread use is the price, costing 4.40 € de-taxation, then after the insatiable dewatering of the tax has fulfilled all his pigs comfortable, could easily cost as much more than € 7, as 10 packs of Camel made in russia, however, almost double the Italian package. C'est la vie! The quality you pay, and perhaps more so, if the tobacco sales in our particular family may be affected in an excessive way, I would not want my heirs from bringing avoidance action against British American Tobacco, or you find that Mr. dunhill charged with circumvention of 'incompetent, it would be unfair and ungrateful repay them for this card after receiving a gift in this superb surprise gift. Not that we can now sing de profundis to the blog, we have not exhausted the arrows to our bow, we still have much to give, many issues still to surprise our audience of listeners thick. Maybe not all the supreme summits have been explored, some remain unknown excellence, and we will be there to appreciate it and give you sudden news. Hello everyone, see you soon!
In this first piece of autumn two thousand, we have held to range further in variegated diorama of knowledge of tabacco.Oggi we design a typical product of the strict sense, was a wine or a cheese would been awarded at least one of the peculiar geographical origins inflated names stating that strict controls showing qualitatvi.Le piccadilly are british as a Rolls-Royce or a tailored suit made-savile row.L British soul characterizes each element of the product, compentrando is the substance that aspect change, influencing and shaping the slightest peculiarity ', thus giving rise to a geo-industrial continuum with few equals in our rich esperienza.Prima investigate further, go into the details of the experience we would like to extend my heartfelt thanks and tributes to some of our friends who just returned from London were mindful of the pressing needs of some old friends adventure, thus demonstrating that they belong to a race capable of feats that kidnap nobilior very famous singers but also violate certain arrogance of orifices sheep; distasteful irony aside, we sincerely thank them, and knowing them in person in this case we say that people are very educated, friendly and generous, light years away from the plethora of misleading clichés like a fatal disease grips the ubiquitously Their duty is reputazione.Altra note that graphically on the `obrobriosa image printed on the back of the package, we willingly abstain from commenting, unfortunately our very strict professional ethics requires us not to censor not to defer, even though in many cases a mocking alter indifference is the solution piu'adeguata purpose. I am referring to the icons extracted from a nefastissimo footage, more appropriate to a medical encyclopedia that non ad un prodotto di largo consumo,che gli autori di questa disdicevole iniziativa ignorino la rilevanza empirica se non il significato piu immediato dell`espressione buon senso o dei sintagmi ad esso logicamente equivalenti? Nel nostro caso ad essere immortalato e` un intrevento a cuore aperto, immagine altamente turbante del buon gusto di ogni essere umano;se costoro cercavano un mezzo per raggiungere un fine di per se non esecrabile,lo hanno perseguito con mezzi altamente inidonei sia sotto il profilo sostanziale che materiale,ed e` questo il nodo gordiano: decidere con ponderazione e serieta` il mezzo piu coerente per raggiungere un risultato predeterminato.Della serie non c`e` piu religione!Iniziativa frutto di una logica perversa,piu impenetrabile delle Smoky interconnections isopsefiche attributable all'astruso world of gematria and Temurah, would be very angry unsuccessful, so we conclude here our personal reprimand that travels together with the earnest wish that this is just mere reality transeunte.Ecco now a detailed analysis of our Experience:
Taste: 4.5 / 6.Molte positive note, the aromatic structure has the typical flavor of cigarettes than once, very polite little substance, body great, noble and rich aroma as befits a true product from ` soul britannica.Tuttavia time and went on so to speak, and now they are a small example of archeology, the technology of production, processing and the selection of tobacco have made great strides, but we have before our eyes an ideal tool to relive the feelings of the past.
STUNNING: 4/6.Distinguiamo in this case two possible soluzioni.Questa cigarette can be experienced in a mild to study the most salient peculiarities `aromatic, then it will be 'stunning little thing, or you will be able to decide to pull deep puffs in quick succession and then the consequences could be catastrophic.
QUALITY: 4/6.Assolutamente at good levels, tobacco is of quality, care, attention to detail refinement el `do not go unnoticed even to the eye of the profane.
original `:` 4/5.Senz more the strength of the product, you can not be accused of Evemero in `weave the most lavish praise to those who still have the courage to take on the market such a product, not very competitive on the economic front but inastante historic, landmark a culture in via d'extension, the loss would be a handicap morally unacceptable for those who are always interested in discovering new horizons and increase their search experience different and original.
personality: 3/4.Assolutamente important, would imressione MSAN to see them in a smoker British, let alone to one `s Channel, however, given the nature of their product niche, the son of a tradition rooted in the very local level would difficult to envisage a broadcast capillarization and a production scale largissima appaino an eventuality no fear of rebus sic stantibus.
STYLE: 3/3.Visto that we are up smoking with style, the findings on this indicator always remain at high levels, the package has a magnetic charm, reminiscent of Gitanes, the gift and the story are similar to those of d `overseas colleagues, indeed, in our opinion above.
TOTAL: 24.5 / 30.
Today we ventured into an ordeal, the review, given the nature of the product did not look the more easy, but the `empowering 'staff is in space at regular intervals by the American cigarettes, those English in Russia, the important `and` never expire in banality, not to be repetitive, do not be superficial, this should be the mission of the blogger scrupoloso.Ringraziamo even those who have given us such wonders and you Invite them to follow numerosi.Anche The next review will be 'amazing in its own way.
To repay the love, goodness, and the pertinacity of our fans today will offer a nice ἀπροσδόκητον (without taking anything away from the expedient lyric dear to Callimachus and Catullus then first) , finally to move the overall diorama recensioni.Una so long for us to stop the activity voracious commentator matter in any case difficult to digest a pain, but which is always remedied through the search for excellent products and very rare, very difficult task Only a true mentor as we blog, beyond the mere sdottoreggiamento may remain on track again after so long and having discovered any excellence in the Orb terracqueo.Tuttavia the world is beautiful because it is a place full of surprises: ἀπροσδόκητον invoking the period iniziale.Queste davidoff represent a welcome surprise to our staff, as well as a useful expedient to change the theme last occurrence of American cigarettes affiancandovi this piece, to the benefit of the individual act reviewed, as dell'intergo blog.Premetto that for us this is a review of this very demanding, a kind of Nanga Parbat, because every single mistake can cost very caro.Ora switch to a more detailed analysis of our experience:
Taste: 5.5 / 6.Un 'heady experience to live in the round, a product that focuses on the smoker, designed to give maximum satisfaction to all those who have the pleasure and the' honor to try this smooth flavor, rich and corposo.In some cases the smoker is almost a "scapegoat" the scarcity of the product, here we are at a distance from the foul sidereal polirematica eternally oscillating between Scylla and Charybdis dell'esiguità dell'insipenza. The raw material used is of the highest quality of excellence in Virginia, an Oriental aromatic and last but not least, a touch of delicate White burley, in short, the perfect ingredients to enrapture the palate of the finest connoisseurs.
STUNNING: 5.5 / 6.Solo see our package should be exposed at the tobacconist's already a source of strong feelings, but once in burning this little gem does not disappoint, almost approaching the levels of the magnum but never be intrusive and invasivo.Un true masterpiece also very relevant in this assessment profile.
Quality: 5.5 / 6.Senz 'Another strong point of the product, we do our utmost to respect the absolute heights of excellence, however, unlike rivals such blasonatissime davidoff are not immersed in a diabolical hiding so as to render more rare and sought the Holy Grail, but in the end the Gordian knot that remains: in Italy no trovano.Qui the quality is virtually everywhere by tobacco materials to no other than well-designed by renowned French designer Ora-Ito, who has completely changed for the better if a graphic design already in the foreground, but not overwhelm the brand identity of the peculiarly fixed points, like the minimalist design and an octagonal shape.
ORIGINALITY ': 5/5.Altro strength of this prodotto.Sigarette as these are more unique than rare, both in terms of formal sostaziale, not only with regard to the good qualities of tobacco but also the choice of materials, but especially for the aura of class that emanates from the product.
PERSONALITY ': 4/4.Un en plein deserved to say the least, the heights of excellence should be rewarded, but the recognition will be 'best expression of bewilderment on the faces of your friends painted when the show to their cospotto.
STYLE: 3/3.anche here just to say, the collaboration with the French study design has produced a work that verges on perfection, not look out of place even when exposed to the Louvre opposite the Mona Lisa, they also attract the attention of crowd in a more sudden intense than you think.
TOTAL 28.5 / 30.
break our time giving you a recnsione medieval era, there is much to say about this product, yet it is enough for a month to put together a final draft is complete, the piece averbbe could continue for at least another 30 rows, but sometimes the verbosity and the verbosity required to freno.Congedandomi van `I can not help but invite you to make it in writing if you have questions or information to be obtained with the sincere wish not to be forced to more these real journeys of hope to get something fumabile.Ciao all, God bless Davidoff!
[di Renato Nicolini, da la Repubblica , 30.6.2009]
Non sono andato a Piazza del Popolo per la festa ACEA, ma le foto che ho visto mi sembrano sufficienti per parlare almeno di cattivo gusto. Ignoravo vi fossero stati prima, nel solo mese di giugno, i “Mediaset days” del digitale terrestre e le selezioni del Grande Fratello. Non sarà il MinCulPop (ripudiato dall’assessore Croppi senza capire la provocazione di Pettarin che lo invitava “a fare qualcosa” anche se quel qualcosa fosse di destra), ma certo c’è un orientamento prevalente, che non si concilia con la caratteristica fondamentale dello spazio pubblico, non essere cosa privata. “La casa era nu poco tutta la città”, Eduardo De Filippo wrote well. The worst thing is that this yield does not even require the Councillor to occur in Piazza Campitelli. It 's a trend that appears spontaneous and unstoppable. That tend to exceed the decibel limits prescribed by law, I can testify from another part of Rome, one in which I live. In the area of \u200b\u200bPortaportese inconvenience to the residents go far beyond the Sunday market. addition to intense construction activity (at least three sites open in two hundred meters), in the ancient city walls start dancing, and "4:20" on the way Portuense, where once there was "Faith", a mythical Giancarlo Nanni basement theater, high-fired its sounds in the night of June 20, to celebrate more than two in the morning the arrival of summer. This opens evil, because without ideas. Make sure that tenderness from Piazza Campitelli you look back to the moon landing 40 years ago, but perhaps there were other anniversaries, more linked to Rome, which are being ignored: the thirty years of the Festival of Poets Castelporziano and Central Park. But Rome does not need to Amarcord, because of work on the bad time that lives today. Many troubles on which culture can act with its symbolic power. The degradation of the center of Rome will stop only by addressing the causes of the expulsion from this part of the city of craftsmen and skilled activities, something that every day it is turning into an area without losing quality, a giant shopping mall during the day, a huge open-air restaurant bar at night. Why not propose something that helps to promote the stratigraphic knowledge, knowing how to read the many historical perspectives that have built? Sigmund Freud is excited to Rome many times before in its history, reading both places. Maybe starting with the Theatre of Pompey, from the place that they now seem to rise to the degradation of the use of the city, Campo de 'Fiori. Mayors and Argan Petroselli had entered the Roman summer - he did grow a sense of belonging to the same city - A policy aimed at balancing differences between center and periphery. You might think the places of summer events starting with the change that has occurred in decades, not wearily repeating old patterns. The Quarticciolo the Pigneto Park, Alexandria, Lungomare di Ostia and many other "parts of town, can also - today - appear as places of Rome, not only" edge "? Finally, Rome is a city that belongs to the whole world. What project look in that direction?
putting ourselves in continuity with the work done so far, we are going to exhaust the topics of discussion around the marlboro made in usa.Volendo very tenaciously, to insist, in our premise of the aesthetic features of the package, which also this juncture is proving to be a true concentration of aesthetic grace, our own, especially when compared to counterparts. that end I have set up a limited food for thought:
often, for fun, the crewmen capture of albatrosses, large birds of the seas, below, indolent fellow travelers, The ship goes over the bitter depths.
5 And I have just placed on the deck of the ship That, inept and shameful, these kings of blue Pitifully fall the great white wings, As the oars inert along with their hips.
As clumsy and awkward, the winged traveler! 10 him before so beautiful, how comical and ugly! Someone with a pipe, the bill tickles, The other, limping, mimics the infirm flying!
The Poet is like the prince of clouds who lives in the storm and laughs at the archer; 15 But exile on earth at the center of ridicule, For the wings of a giant can not walk.
Souvent, s'amuser pour, les hommes d'équipage Prennent des albatros, Vasto oiseauz des mers, Here suivent, indolents Compagnons de voyage, Le navire Glissant sur les Gouffres amers.
5 À peine les ont-il déposeés sur le planches, Que ces rois de l'azur, maladroits et honteux, Laissent piteusement leurs grandes ailes blanches Comme des avirons traîner à côté d'eux.
Ce voyageur ailé, comme il est gauche et veule! 10 Lui, naguère si beau, qu'il est comique et laid! L'un agace son bec avec un brûle-guele, L'autre mime, en boitant, l'infirme qui volait!
Le Poète est semblable au prince des nuées Qui hante la tempête e se rit de l'archer; 15 Exilé sul le sol au milieu des huées, Ses ailes de géant l'empêchent de marcher.
Come l'albatros di baudelaire sia la grafica,quanto la sostanza dell'oggeto in questione,nel momento in cui finiscono ignare prede delle deprecabili angherie di una insensibile ciurma di marinai,che sembra non avere altro scopo se non quello di angustiare la pace altrui,attraverso i più atroci supplizzi che la fumosa mente umana sia capace di partorire.Vessazioni rese ancora più massacranti e biasemevoli poichè compiute su un animale maestoso,il quale nel suo habitat naturale è l'emblema della grazia e dell'armonia.Sul ponte del vascello che solca gli amari abissi, accadimenti sconvolgenti estinguono e snturano la ratio essendi di costui,il quale al di fuori del suo ambiente appare goffo,maldestro,comico e brutto,le intentional burns, mimicking the grotesque, are the emblems of the most brutal and gratuitous cruelty that can be imagined, as if the mere fact of his capture were not enough already to convey the destruction, ironically also compounded by the peculiarities that distinguished magnificenza.Cosi marlboro these American born in a place where those who produce cigarettes, is not subject to inhumane harassment, explain fully their entire royalty, and the archers who would laugh ignobly abbatterle.Cosi in jail on the old continent, in place of troubles occasioned by the ugly and lazy bunch of sea dogs from the heart of stone, the European law gives connotations nuisance and distress to a perfect product first, err fatally sostanza.Dopo is the form that this very brief overview of poetic nature, we pass to the usual analysis of the experience of smoking.
Taste: 5.5 / 6.Gradevolissimo, however, have power to sell, as in all menthol cigarette quality, the flavor is flush with the harmonic structure of aromatic tobacco, and not as often happens, a mysterious object, miscreated bearer of annoying interference, the BALANCE, and that is plain, add us!. And we all know that a cigarette aquilibrato mint taste, it's a torture I would not wish on our worst nemico.Quello Nevertheless a level that distinguishes Menthol 100's compared to his sisters, is the special smoothness from hence the name smooth, in our opinion, a significant step forward.
STUNNING: 5.5 / 6.Similmente full flavor of each product, the 16 mg tar and 1.3 mg of nicotine, are poderosissima a weapon if placed in the hands of people who want to overdo it, then the effects will be consistent. an excerpt from our review of reference, including published on 8/XII/2008, "If some enlightened investigator had wanted to cut a good part of the filter and suck long deep breaths in succession separated by a few seconds, be able to take dall'iperuranio Platonic the idea of \u200b\u200bstunning in itself, and put in your body, jokes aside, you pass a "bad" quarter of an hour but it is an absolutely to try, ".
QUALITY ': 5.5 / 6.Basta give a glance to realize that we are heading for flavor at the top, the fan more escluisivo, I enclose another quote mined from the now famous review:" The real marlboro these are Made in USA, made with Virginia tobacco grown in Virginia, the higher quality feel, just to make a few comparisons in the music the relationship between them and their stepsisters marlboro made in EU, is the same as between a Fender Stratocaster made in USA and one made in mexico, or if you prefer between a piece of Jimi Hendrix and the same piece played by a cover band, just to spite all the original layer remains a cut above . D'altro canto il made in USA il suo fascino lo mantiene sempre,se sono la prima economia del mondo vorrà dire che le cose le sanno per bene,ed sigarette testimoniano perfettamente l'eccellenza tecnologica americana,facendosi vessillo del superiore patrimonio di tecnologia produttiva in dotazione ai nostri amici americani."(ibidem)
ORIGINALITA':5/5.Un prodotto di innovativo che valentemente si colloca in stretta linea di continuità con i tratti peculiarmente più caratterizzanti della filosofia marlboro,nobless oblige,l'eccellenza va sempre premiata con il massimo.
PERSONALITA':3,5/5.Mancano un po' di aggressività e fermezza,vitiantur sed non vitiant,alla fine ci piace trovare sempre il pelo nell'uovo,ma di carenze apprrezzabili non vi è la minima traccia,come non vi sono irregolarità,imperfezioni o anomalie:personalità di spicco,figlia di una qualità senza compromessi.
STILE:3/3.Il pacchetto americano è l'albatros in piena libertà,quello europeo invece è la versione maltrattata e goffa,flagellata da pletore di dolenti supplizi.A nostro parere si tratta di uno dei più pregevoli pacchetti mai visti,alla modularità grafica tipca del marchio,sono affiancati abbinamenti cromatici indubbiamente azzeccati,la mancanza delle scritte antifumo fa il resto.
TOTALE 28/30.
Ottimo punteggio per esssre sigarette al mentolo,del resto la perfezione va premiata,senza remora alcuna.Nel while large diorama American stand for quality and elegance, what facile.Vorremmo not say something about menthol cigarettes, according to us is the Latin maxim: AB ABUSU ad usum NOT VALET consequences, and more generally remains valid for cigarettes as a whole . With this review we have temporarily closed our brackets dedicated to marlboro U.S. will resume in the next review, the exposure of another brand made strictly in usa.Vi salute you with sincere hope that one day we can finally get this product size, hope it does not cost anything! Hello
I arrive signals. the streets Rome posters announced that on June 21 back to the Roman Summer. send a SMS to announce that Alex Voglino, director of the department of cultural policies of the municipality of Rome, during the press conference of 'Estate Romana, laments the lack of Maxentius. Andrea Garibaldi Corriere della Sera in an article in which, after acknowledging the richness of the proposed new edition of the Roman summer, so raises a "however" at the lack of originality of the proposal. In the same article mentions Andrea Garibaldi me, or rather mentioned that the century of Italy for about a year ago reported what has been said to me that, at the request of ' Department of Cultural Policies of the municipality of Rome Umberto Croppi addressed to intellectuals and professionals to contribute suggestions for the renewal of the City intervention in culture, I replied, sounding defiant, I'd like to compare with a proposal for a strong sign that direct somehow the reflection, that simplification has become a journalistic "do something right." 's Department of Cultural Policies of the municipality of Rome, Umberto Croppi, in reply to Andrea Garibaldi, says he is not an expert of topography and having problems to deploy actions left-right axis. In the same answer Assessor Croppi makes two claims, the first that what we are trying to do is to bring Rome in the international circuits of culture and art, and the second that the request matches the originality of Garibaldi's demand for "policy" of Guareschi memory. The first temptation is to caress one of my many cats and dismiss it all as yet another example of 'selfishness and arrogance that characterizes politicians and administrators in the era of television, so all that is in some way belongs to them (so there is no record) and all, do not say the critics, but simple question becomes a partisan ruling and will disturb those who work for the good of the city, region, country. Maybe I would have been disenchanted with friends this season trial of a couple of jokes on the liquidation of the obvious statements about the timing of our directors or by the need to warn the cops every time our Councillor gets behind the wheel. Moreover I have no interests to defend and I think I've earned reputation for intellectual honesty in more than thirty years of "career" in the organization of cultural events in this city. But I have against the Councillor Croppi a preliminary estimate, motivated by his speech, almost two years ago when it was still engaged in institutional positions, the transmission of "We are history" during the revival at the Coliseum of Napoleon by Abel Gance that we organized for thirty years the Roman summer. I then thought that his words deserve explanation because somehow they resumed things said in that interview and then I had already made me want to speak with him. Forgive me Assessor Croppi, but then I imagined a young right-hand turn to the events of 'Estate Romana and wonder why the left should bring consensus as to contain content that were dear to him in a way that he shared, in my opinion, committed an error of perspective, and then commits it di nuovo oggi: non solo Nicolini era di sinistra (e noi tutti che lavorando intorno a lui contribuimmo a dare sostanza ad un’intuizione) ma la sua “invenzione” si inscriveva perfettamente nel dibattito che in quegli anni attraversava la cultura di sinistra che usciva dal marasma del sessantotto e che vedeva contrapposte la visione marcusian-pessimistica su modernità e capitalismo (Idra dalle cento teste, impossibile da colpire a morte e verso cui opporsi era un atto splendido ma inutile) a quella lukaccian-pedagogistica per cui la funzione della cultura era quella di far prendere coscienza al popolo e farlo schierare per la rivoluzione (nel caso specifico fargli votare Partito Comunista). Un gruppo di giovani, direi giovanissimi intellettuali (Alberto Abruzzese was then little more than thirty years old), tried to combine a love of modernism, which he considered an essential component of Marxism, and critique of a system based on discrimination and exploitation, Walter Benjamin seemed the right tool for a critical of capitalism that does not throw the baby (technology development and new opportunities for democracy) with the bath water because of a system of privilege and exploitation. It was quite natural if not inevitable that this position meets with the work that the commissioner by Nicolini went to Rome to bring to the surface the many experiences of underground culture in the city, making them accessible to an audience of mass. This could only create a strong rejection by both the traditional left who saw the central role of the party and his vocation as educators of the masses, and in that movement that considered a betrayal of all forms of search for new balances that were not result of revolutionary action, we were attacked by all. Cederna the columns of the Corriere della Sera it imputed a criminal use of monuments, within the communist party we were accused of not fighting for a shift in popular culture that he saw his strong point, was accused of Maxentius equate the great cinema with the garbage coming from overseas, Frigidaire magazine which had formed part of our amici più legati al “movimento” organizzò addirittura una sorta di anti Estate Romana dall’eloquente titolo “Miseria”, tutto questo è però la conferma di quanto tale dibattito fosse assolutamente interno alla sinistra e di tale area politica assumesse i presupposti, le modalità, i contenuti. Gli attacchi della destra non erano nel merito, che non veniva assolutamente riconosciuto, ma sul piano della correttezza amministrativa o su quello della moralità e del disturbo della vita cittadina. Effimero e riscoperta del centro storico i mezzi, svecchiamento delle pratiche cittadine e rilancio dei consumi culturali gli obiettivi. Ma sopra tutto una cornice inequivocabilmente di sinistra: il diritto per tutti di godere di spazi ed azioni fino ad allora riservate ad élite. Con il tempo le punte più aspre della polemica si andarono assottigliando, la sinistra comprese l’enorme potenziale di creazione di consenso che le manifestazioni estive rappresentavano, tanto da inventare una ragione compatibile con il proprio apparato: gli anni di piombo avevano chiuso in casa la gente che con l’Estate nicoliniana ritrovava luoghi di aggregazione (quanto sempre odiosa ci è stata questa etichetta buttataci addosso!), anche la destra smorzò le polemiche soprattutto là dove il consenso era così alto da rappresentare un sicuro lasciapassare per il cuore dei politici. Non a caso un attento critico vicino alle nostre posizioni Guglielmo Pepe in 1982 he wrote an article entitled "Wrinkles Romana" where caught in the excess of public acceptance of the symptoms of a cultural policy that was beginning to show signs of fatigue. In fact, the Estate Romana had ceased to be the left had become a national heritage, it was all in it for mixed groups from political and cultural constraints made it the choice of any of the places almost obligatory, remained the major function of service to city. I apologize for the long break of memories but I think that to understand the meaning of what I will not be avoidable. For too long our city is not living a kind of cultural renewal, the big concerts Free junta's Notte Bianca Walter Veltroni and the same time marked as addressed to the past to grasp the mood of the generations that are growing, correctness administrative and general consensus have replaced the desire to make healthy renewal of the scandal that should always characterize the cultural offerings of innovative, my impression that the administration had left too identified herself, their moods, their priorities with those of the entire city losing sight of the conflict, the conflict also are strong that the lifeblood of democracy, mainly cultural, in other words the unpleasant feeling that politics had made a step back and do that in the Roman Summer were the offices, which became operational by operators themselves, the odious smeccanismo for this to work the call for cultural activities, fake instrument of democracy which serves only to make practicable bureaucratic logic. In fact, if we want the lack of courage was not used to fund the large element of cultural innovation that Mayor Veltroni and Alderman Borgna the data were "homes" of jazz, theater, cinema, the auditorium as House of Music, that is, the output from the ephemeral with a network system in which each node becomes driving force for others and for those reality which, fortunately, the system they want and need to stay out. The defeat of the center left and the change of the junta are not definitely been inspired by this, but just as certainly we were faced with a problem that had to be interpreted. In a good democracy alternation is healthy, the enemy is no longer demonized, no longer thinks that will not prisoners. From change even if we can penalize in any case be positive elements. A positive thought I would follow led to our defeat was that the new commissioner would not hesitate and eliminate Film Festival, against whom the right time had thrown the election campaign, and finally the Roman Summer. Non solo, speravo che l’assessore Croppi desse un segno forte, non di tipo contenutistico ma di sistema alla nuova politica culturale, rispetto al quale noi, operatori culturali di sinistra, ci saremmo in qualche modo confrontati per renderla non più la proposta dell’assessore Croppi ma un patrimonio di tutta la città. Questo non è avvenuto. Non solo mi trovo di fronte ad un cartellone dell’Estate Romana che trasuda, credo e spero non volute, logica spartitoria e normalità burocratica da tutti i pori, ma l’Assessore per difenderlo invoca efficienza e spirito ecumenico. Non credo sia sostenibile, come l’Assessore lascia intendere, che Roma fosse fuori dai grandi circuiti internazionali dell’Arte and Culture, I would say that the weakness of this Roman Summer, fully revived in the new edition is being totally internal to the logic circuit for which the city ends up being simple stage of the Tour of artists and exhibitions and festivals, and born elsewhere given here without any added value. Eliminate Estate Romana that this symbol of courageous will of renewal has become a mechanism for standardization and bureaucratic logic divider. the other hand, place the Roman summer in its golden age was the territory of the city and its instrument the ephemeral architecture, culture lives today more and more network and virtual spaces.
announced by the "cries" of newspapers, they come back again this year the Roman summer events, a schedule of cultural activities, some of them become regular appointments for tourists and natives. Born 32 years ago, the Roman Summer brought the capital to the levels of other European cities with regard to the wealth of cultural offerings and entertainment. What's new in this edition? Looking at the rankings of the winners of the funding scheme for local events and festivals, it would seem nothing. different programs for containers of all time: the projection DVD on the terrace of Belvedere Island of cinema showings from the Gay Village, and then the comedians in the square, the theater under the oak of the rate, etc. A rescheduled a few years ago, at the time of Veltroni or Rutelli, would find few differences shot. On balance, the Estate Romana, which was hurled against the center-right in the last election race for the leadership of the Capitol, it is not distorted or renewed by the new administration led by Aleman, and remains for many a sentence from which seems hard to shake. on the back of the Roman Corriere della Sera Andrea Garibaldi, highlighting the richness of the proposal This year, however, poses the problem of lack of a sign, an event that will shed light "interpretation of the world" that distinguishes the new course Capitoline. And the councilor meets Umberto Croppi, cautious on definitions and apparently offended. Following the article by Andrea Garibaldi, 19 June 2009 and the response of Umberto Croppi published the next day, always on the Corriere della Sera . The event
'right' Roman summer in search of a sign
Andrea Garibaldi Corriere della Sera - Chronicle of Rome - June 19, 2009
Centocinquantaquattro events, 650 individual events, for a total expenditure of 4 million records and 700 000 €. Each Roman, every day or evening has twenty choices between concerts, cinema, theater, art, literature. Even this year 's the' Estate Romana c 'is, as it happens - with ups and downs - for 32 years. Eleven events were preserved "historical", from jazz to Villa Celimontana comedians at the Coliseum, and then concerts of Bruce Springsteen and the Charter Mark and many initiatives related to the Moon, 40 years after landing. Shows refined and popular, mass and 'elite, according to a tradition copied all over the world. However ... Remains a lack of taste. The lack of a scratch, a sign of a fatal blow of the new right-wing majority that rules Rome for thirteen months. A symbolic event, an exhibition, a journey that unveil the Capitol is also produced as culture and not just entertainment, you try an 'interpretation of the world, hopefully the new one. "All we need Maxentius," said one of the executives 's Department of Culture during the presentation of the' Estate Romana. In fact, the movie marathon in the majestic basilica were the seal of Summers Nicolini, as well as free concerts at the Villa Borghese or the holes were the 'footprint Veltroni, who calls the city its generational myths, Paul Simon or Paul McCartney . C 'were the visions: the' popular use of the monuments' s epic film, music for everyone, the periphery toward the center ... The new commissioner Croppi, all 'beginning of quest' year, launched an appeal to the Romans and the world of culture and entertainment to ask for their ideas on 'Estate Romana. They arrived several stimuli. Renzo Arbore - say - to rediscover the Roman spoke with Deaf or Manfredi, asked for a return to the Via Veneto. Pietrangelo Buttafuoco launched appreciation of artists' except by the official salons. " Instead, Pettarin Francis, founder of Maxentius, provoked, "Croppi have the courage to propose an event" right "with international and quality features." We look forward to next summer?
intervention The MinCulPop does not live here
Umberto Croppi, Assessor Cultural City of Rome Corriere della Sera - Chronicle of Rome - June 20, 2009
I'm not an expert in understanding the topography and location of the actions on 'left-right axis is often difficult to me. So I see little sense of 'article in the Corriere Andrea Garibaldi today, in which he says that he would have expected a "sign", an "event right" in the program of' Summer in Rome. To explain is the 'example of Maxentius of Nicolini, the film festival was born autoestintasi thirty-two years ago and now a bit'. It was an 'important innovation but it is unclear what sign to have represented, certainly not a sign of the left. The political left was of its founder, not its form and content: the two most important events were the 'impressive film version of Wagner's Parsifal Syberberg operated by the mammoth and Napoleon by Abel Gance. Garibaldi seems to repeat a refrain launched a few months after the 'settlement of the Board: you can not see the project. As if the 'bundle of cultural events and creatures of the previous decade did catch a glimpse - albeit a posteriori - any architecture. Now, its polar opposite, Stefano Crippa, the Manifesto of two days ago, fears a 'traditionally popular summer "in which" Roman "and" tradition "are the masters. Who give a reason? Neither of them. What we're trying to do with qualche successo, è rimettere ordine, migliorare l' offerta ma, soprattutto, far crescere il livello e le possibilità di partecipazione degli operatori e dei cittadini, nonché riportare la Città nei circuiti internazionali della cultura e dell' arte. Cioè stiamo facendo ciò che è richiesto a chi ha responsabilità di governo. Se il segno che Garibaldi si aspetta è quello della linea politica di guareschiana memoria, se crede che a piazza Campitelli si sia insediato il MinCulPop, quel segnale da me lo aspetterà invano.
Hello, Ab aestu et tempestate.Come distance ourselves from our usual practice that cigarettes estremi.Non appicchino appigionasi to the coffin, which they themselves can be attributed directly to the MELAS syndrome, frankly doubt the intensity of the quantitative relationship inference as to its action as an exclusive agent oncopatogenico, but lethal diseases it carries tobacco consumption as a major causative agent quantità.Il our disappointment, which in this premise stems from the regulatory actions fruitless and disrespectful, which bloated careless dominate the authoritative banner of the force of law but of credibility they have really well poca.Ben far from reviving antiquated tribal ostracism as those in hell sardana barbaricino code, where il versare vino con la mano sinistra,ostentando aria di sufficienza,può scatenare un furibondo alterco,dall'esito potenzialmente pregiudizievole e pernicioso per l'integrità fisica dei contendenti. La ragione precipua di questo ampolloso panegirico,è che noi non gradiamo il nuovo restyling del pacchetto delle marlboro Lights,un brand caratterizzato per immemorabile tempo,da una sua peculiaremente identificativa modularità grafica,ormai ignobilmente stravolta nel tentativo di anticipare,l'ennesimo sciagurato intervento normativo in materia; acerbo parto tapino della malnata dabbenaggine di questa insensibile ciurma che persegue fantomatici e millantati obiettivi soltanto attraverso subdoli e loschi marchingegni,sempre per accidentate vie sleepers, never in a simple and direct as you would agree to an authority that we talked about rango.Visto Marlboro homegrown, today the spotlight of our review will focus on the good marlboro blend 27, marketed in the U.S., where deo gratias not have these old problems (ie more senseless). The Blend 27 are a delicious variation on the medium, intensity of flavor, and most salient traits aromatici.Ora further analyze our experience of smoke
TASTE: 5/6.Da usual consumer products marlboro, I believe that in this case we are close to vertici.Intenso, aromatic, distinctive & rich, borrowing terminology from the Anglo-Saxon vocabulary. Smooth and sweet, draw lightly and without any particular worries, well-calibrated intensity, extremely knowledgeable flavoring in which some connoisseur can feel hints of cognac, however satisfying and better than a bucket marlboro medium Made in USA.
STUNNING: 5/6.Svolgono their task, the pleasant and exhilarating feeling of relaxation you feel, both in quality and quantità.Pur not being provided for the purpose, the end result is certainly worth noting.
QUALITY ': 5.5 / 6.Dal the qualitative side, there is no objection, it would be crazy to run as a furious Tetrapyloctomy unsuccessful inspection, a premium brand made in USA, American tobacco who worked directly for industrial purposes and historical necessity has the perfect know-how, and capitalizes superbly, with great joy for consumers.
UNIQUE ': 4.5 / 5.The red sisters paid the duty dell'inflazionamento global, now raise the numerical value of the indicator in question is possible, it is possible as we are, arguing with the appropriate fees, before to a more niche product.
PERSONALITY ': 3.5 / 4.Rifuggendo totalitarian ideologies, which though they possess their own strict internal consistency; produce paradoxical findings in the conceptual spheres especially related to common sense, and incredibly ancorpiù in stridente contrasto con ogni schema logico terreno,(e.g i monumentali sistemi filosofici di spinoza e hume).La ratio essendi dell'excursus filosofico,di cui sopra,sta nel confutare,coloro che ritengono,in base a fallaci(ma non tali ictu oculi,per il profano) argomentazioni,che la ragion d'essere di un prodotto medium flavor non esista,come dire,non sono ne carne,ne pesce:abbiamo di fronte ai nostri occhi la prova provata che il giudizio costoro sia scarsamente attendibile in questo frangente.
STILE:3/3.Riporto un'autocitazione tratta dalla nostra recensione ivi pubblicata in data 8/XII/2008:
"Dal punto di vista estetico si fanno notare per il pacchetto fortunatamente scevro dei lugubri quanto inefficaci moniti that the European legislation imposed with the intent of the official empower consumers of these products, however, yielded the only effect was to irreversibly mutilate the aesthetic harmony of the package, which without the deadly double-sided poster enthroned with its sad and awkward stateliness, suddenly seems like magic regain the linear harmony that makes the package a complete graph, whose main strength may account for their aesthetic effect taxation without forced bundling constraining ex post permanently disfigure a continuum that designed and consolidated without encountering remodulations graphics on this scale of destruction. Think now my twenty-five readers, that this endless eulogy was created with the sole purpose of proving that the writing on "Smoking kills" is not conducive to the aesthetics of the packet 'calls on smokers to weigh the possible closure of the defect. "
Gold and class, the rest are only fatuous profusion of verb, often nonsensical, "are thus must be forced to say a few words on elegance of the package without the burden of vile threats legalized standing out in large letters, seems to return its former glory, as if by a second another miraculous return of the Parthenon as com 'was in 430 BC "(ibid.).
TOTAL 27/30.
CONCLUSIONS:
The name in this case was appropriata.Usare the expression of memory Justinian: appointment consequentia sunt rerum, seems inappropriate for obvious reasons, to this end it is most fitting the simple phrase nomen omen, even if it has a determinate rule out that even a minimal influence on our evaluation methodology, the end of the 27 votes of the sisters is the same red, but was formed through a process deeply divergent ritnere seems absurd that two votes are perfectly identical associated speculari.In any case, these two products represent an attractive option marlboro blend from any perspective the one looks, for those who are interested in a comparative analysis of the European dimension against the U.S., see the review marlboro red 8/XII/2008 of the Americas, to which indeed this reappeared in many ways, and could not be otherwise given, and given the strong affinity lag between the products covered by our opinion.
E’ il musicista più anti-convenzionale dell’underground torinese. Ha un cognome che nessuno facendo il suo mestiere vorrebbe ritrovarsi. Ma è raro vedere un artista seguito dall’affetto di un così vasto suolo di aficionados. Vittorio Cane è uno chansonnier piovuto dalla luna, a metà strada tra Felix the Cat e Lucio Battisti delle periferie. Approdando al suo secondo album, non se l’è sentita di trovargli un vero titolo e come nelle famiglie di una volta l’ha chiamato “Secondo”. Semplicemente. Perché questa è un po’ la sua attitudine cioè l’estrema naturalezza in tutto, dalla composizione all’interpretazione. Do not tell great stories, but minimal situations. At his concerts are still trapped in a thousand sensations: initially you may be struck by a jarring, and then fixate on the poetry of verse. Except back to earth thanks to laugh at things like: "Where is the chicken, the chicken I am." (Fabrizio Vespa)
VITTORIO CANE (innabilis) 2005 SECOND (INNABILIS / NEW MODEL LABEL / GOODFELLAS) 2008 REVIEWS
VITTORIO CANE (2005)
review
NOISE AND 'is now a regular customer of these sadistic columns, and if two clues do a test this is just a genius. remember the previous episode of incontinence his "do-it" & minimalettric midway between the idiocy pure and the flicker talented. Once the players were said to recklessness genius & indicate those erratic in performance, almost irritating their apathy in the collective game, hard look at martial arts training, of iron discipline tactics, but capable of languid in a smile of admiration the sneers of the coach angry and curve on the verge of a nervous breakdown for repeated laziness, with a play that left dumbfounded. Vittorio Cane This sharpens the cleats on the turf, gigioneggia in the locker room, yawning along the side band smoothing steps elementary and support from college football, waiting for fifteen minutes interval per masticare il chewingum e bere il the corretto. Sgrammaticato ed insolente riduce la migliore tradizione del cantautorato italiano senza rendersi conto che tiene in pugno Rino Gaetano, Battisti, Samuele Bersani e Bugo pronto a sciorinare il gol del secolo dopo aver seminato frotte di difensori avversari e siglando il punto che regala alla sua squadra la salvezza all'ultimo tuffo. Uno sfigato consapevole del suo ruolo fondamentale alla salvezza della società dei consumi. Poetico e visionario come i cani con gli occhi rossi che guardano da dietro le sbarre di una finestra lo scempio di un quartiere popolare violentato dalle ruspe. Sciogle l'acido delle pareti e lo strofina sulla chitarra. E' di Venaria, suburbs of Turin, the province of linea77land with which has nothing in common except the same bus to get to the center and buy a set of strings, a rickety mixer, Technics dua dishes without pins and discs chipped Motown. It 's a genius, a word of Jimi Jump.
review wave rock
Put it this way: listen to this album, at least once. You may dislike him, or otherwise fall in love. The first impression is not positive, so that the feeling of sloppiness is so intense that it makes you think a mere exercise after work, if not the classic bully by bonfires on the beach, intent on banging four to pick up some nonsense girl. Maybe ... And yes, the dog could be a double agent, a little 'freak a bit' son of a bitch, true to a certain point, ready to jump ship if the weather would turn for the worse. Then analyze the texts: simple, which seem to consist of a child who was stolen lollipop, lullabies, laments and girotondi taken for a ride ... Bugo comparison is a decadent poet of the late nineteenth century. So? Where are the strengths of this "Victor Dog"? Well first of his texts, whose apparent banality, as often happens, hides underlying philosophy ", or perhaps a way of being genuine, unmediated by any socio-cultural superstructure. Vittorio Cane seems to live completely out of touch. Packages checked daily life (her) telling small large bad luck, frustrated hopes, reaching heights of absolute onanism autoflagellatorio in the "Special" "Why, because it always happens to me ... not to basket". This is the new suburban blues (Italian) turn of the millennium. The blues of the novels orphan generations of great ideologies, unable to cope with accelerated culture of modern society. So let the beautiful open-mouthed "The snow under the sun, a handful of agreements that progress to fade into an anticlimax of absolute tenderness. But do not be fooled, we do not seem particularly inclined to fuss. So leave the antics in the form of singing out of tune to Bill Callahan ("Grand Canyon", "Music"), and even spittle synthetic mutant pop music ("I Do Something") so convoluted by a spray any hypothesis of musical heritage. Halfway between a post-modern vaudeville and bring a visionary of the everyday of their psychology borderline, "Victor Dog" is a hard and sour, like the best things of Rino Gaetano. Get it, and you may find you enjoy sharing those ills that afflict the congenitally marginalized niche of Italian society. Review by Antonio Ciarletta
review rockit
And where this comes out? Electronics for City Living, called himself The Voices. Then back or forward by 180 degrees. But there is, or is there? Vittorio Cane is on the edge, teetering between the manifest and the mirror, even if the generation that has befallen the lot does not stimulate flights of fancy. More than anything Dog (born Claudio Cosimato, for who you ask) has to understand what you want to do: mainly because not all turn out well. Type the jump blues of "Grand Canyon", made in one day for sure born evil. Or some sloppiness here and there, in a perfect disc that rotates with Remo Remotti and is preparing a new cd more importantly, corredato da video per i quali sta cercando registi. Però Vittorio azzecca due singoli che cambiano la partita, pieni di ipocondria, antieroismo e poca voglia di uscire. Uno è "Dipendente", sostiene il confronto con Carboni ma lo si immagina cantato dal Celentano borghese 1980, quello di "Soli"; un ritmo low-funky à la Pino d'Angiò sottende il ritornello, distico singhiozzato e ripetuto dal pubblico come una litania, spada di Damocle da non far ascoltare all'amante abbandonato: "pensavo di esserne fuori / dai dispiaceri e malumori". L'altro porta il nome di "Mille", segue immediatamente nella tracklist e vede le stelle: rauco e accentato fin che si vuole, Cane raggiunge lo zenit del cesello sul refrain ma non dimentica a growing airy style of old Christmas commercials for Coca Cola. "And surely I find myself down there, where it does not rain and there is no TV" sad fable of catchiness, together passionately. The rest flows private, between bursts of Gaetano, with the first Spriz Vasco, chronic province (Ivrea, her) in a world that indulges: paradise destination, already at the next stop? enrico Verona
SECOND (2008)
d WOMAN "republic"
semisurreali vicissitudes, confidences and ironic use of words apparently distracted: Vittorio Cane like this, accompagnandosele with the guitar, the songs of the new work, Second. the rough simplicity does not mislead: it is a hard road dressed in a hurry, but built with the patience of an independent artisan. Olga d'Ali
SAUCE
It 's the most unconventional musicians of the Turinese. He has a surname that nobody would find himself doing his job. But it is rare to see an artist followed by the affection of such a vast land of aficionados. Vittorio Cane is a chansonnier rained from the moon, halfway between Felix the Cat in the suburbs and Lucio Battisti. Landing on her second album, not if it is felt to find a real title as in families once called the "Second". Simply. Because this is a bit 'its attitude that is the very natural in everything from composition to interpretation. Do not tell great stories, but minimal situations. At his concerts are still trapped in a thousand sensations: initially you may be struck by a jarring, and then fixate on the poetry of verse. Except back to earth thanks to laugh at things like: "Where is the chicken, the chicken I am." Fabrizio Vespa
review ALIAS (insert weekly Manifesto)
The new album of Victor Dog - real name Claudio Cosimato - is less distorted, lo-fi and surreal last (self-titled, released in late 2005). The singer Turin focuses on the common state of mind and gently lays bare on his intimate allusions. Between the lines there is an air of bar-counter, you feel the power of seduction carried on by the dog marginal environments. The listener the choice to take the weight, however, that the songs they transmit or to go further and enter this world romanitico. Vittorio Cane court tour p a pop singer intimate, but certainly not of those who close themselves up 24 to 24 hours in their room / studio. And to think we pay homage to the amount of final Remo Remotti (hilarious quando viene sorpreso nel suo “dietro le quinte”) che lo definisce un poeta. Luca Gricinella
recensione FNAC
Ok, è tornata la canzone voce e chitarra e di questo siamo molto contenti. Siamo contenti che a Torino, oltre la musica elettronica e i gianduiotti ci siano anche i menestrelli e a questo proposito, parliamo di Vittorio Cane. Appartiene alla scuola degli stonati e quindi al primo ascolto può deludere gli amanti del bel canto ma, se lo si ascolta un po’ (come si fa con Tricarico o Carboni) è come trovare i girasoli tra le erbacce dei campi: scansando il canto scorato, ci fa divertire con “Ci proverò” cantata con un ispirato Mao, c'incuriosisce with the quirky and original use of the chorus reminiscent of Baptists and funny "Sunday" here is that we finally have a Turin "Sunday Beast" to be sung by bicycle on the banks of the Po, instead of the lake. But Victor also can do serious things: really special atmosphere reminiscent of a little 'the dark of a certain "school Radiohead" (Around and Mille) and two flashes of Genius, two girasoloni: Up here I'll be back up and, of those songs that, as Vasco said: "... come out already with the words ...." worth so do not stop at the question of singing duckling (my mother I said that doing it on purpose and she - ah yes, but the others know? -) And enjoy the simplicity of Victor, a man who as he says: "We will try, happily, with everything you can, always" and apologize if it is short. Daniel R.
Marie Claire review
A unique voice, deliberately ramshackle, who sings surreal stories and does reminded Rino Gaetano (but also sad and angry Piero Ciampi. To discover. Sunrise solaro
review noise
7 Savoy Responsible for a school that includes among others the likes of Deian, antimusic, Spaccamonti and Amen, aspiring to a role as a national archetype, Dog rewritten in this second album of her career goals of surreal storytelling, exploring the contemporary minstrel temi.Come a vulgar and over the top, supported by a enseble caliber of musicians (and Danusso Spaccamonti in particular) draws his haiku metropolitan somewhere between a modern Marcovaldo and an adopted son of Remus and disenchanted Remotti.L 'debut two years ago he had noted the potential and the second chapter of this confirmation by 13 poems to music, enriched by a cameo Remotti itself, which in the end vittorio enumerates what is: a poet of things semplici.Come a dog paw on the roadside, in the mouth with a pen and a staff of ivory silk. Domenico Mungo
resensione FreeQuency
VITTORIO CANE: clumsy, dazed and a bit pandering. Yet, with its author's provocative vein Vittorio Cane hits and, like all the things that matter, is imprinted . The name is well chosen, because as a singer songwriter from Turin is pretty dog, but the distance According to the lovely album presents an artist who, from his self-deprecating "malcantismo" makes a pose. Zip up the role on a brush, between compelling reasons which I'll try (feat. Mao) and I'll be back up, give pearls of wisdom as: "You know, the sadness gets in the evening ...". To confirm this, even the arrangements are much less naive to what Victor would have us believe. Inspired to watch. Luke Hunter
review Lost Highway
The greatest power that gives the music is its unique ability to awaken the imagination to lead you into surreal worlds and different from what we normally pour in front of your eyes. Listening to this disc I found myself walking for miles in countries distant past, inhabited by fictional characters. While walking, the sensation of a voice behind me. The music that filled my room was manifested in the form of a minstrel of the past that behind me, slowly, he followed my path. This is Victor Dog, aka Claudio Cosimato of Turin, thirty-four singer grappling with her second album, by the express According title. Songwriter and storyteller, Victor Dog, has a very personal approach to his music. It transcends genres, combining them and overcoming them, but failing to create a thread in the fabric of 15 tracks that make up the tracklist. At times brilliant, at times confused. Too much originality does not always reward and risk is to stay within the nonsense. At a very effective writing is not echoed vocals unattractive: This is the strength of some of the most successful pieces as I'll try, I'll be back up and Employee, but becomes the extreme weakness of tracks like Cascafaccia, Mille and I believe it still. Il disco ben risponde a tutte le sfumature della civiltà urbana che l'autore prova a rappresentare e che fa da sfondo anche nei brani più introspettivi. Secondo è un album dalle grandi collaborazioni: oltre alla presenza di Mao e Remo Remotti, da sottolineare le collaborazioni strumentali di Paolo Spaccamonti e Stefano Danusso su tutti, rispettivamente alla chitarra acustica e al basso. Nel complesso un disco curioso e impertinente, che dividerà nettamente la critica, così come già aveva fatto il precedente. di Valentina Colaianni
recension vitaminic
Un disco che parte con un’introduzione fatta di spot tv invoglia senz’altro all’ascolto. Inizia con questo blob, Secondo ... the second album of Victor Dog, songwriter Turin, bishop of Neo-realism freak and also a bit ' trash. The irony and paradox are the tools difficult to handle, but are the key to understanding needed to try to enter the world of Victor, a surrealistic painting of himself, a mirror moon park where his voice and sometimes awkward even dissonant is in its place. The record goes to flashes, with glimmers of brilliance to Bugo and other places far more common and preventable. scattered pages of notes taken on the street are the archive of stories wrong, maybe ended badly between the grotesque sense of defeat and the air of arrogant chi fa spallucce. Nel giro di questa pop-metropolitana, fermate funky, soli di farfisa e chitarre acustiche accompagnano le dichiarazioni semiserie di Cane, ché in certi momenti pare di sentire addirittura Rino Gaetano (Dipendente). In questo delirio incontrollato di dipinti post-moderni c’è posto anche per il lirismo silenzioso di Intervallo o per la ballata in vecchio stile (Around, Mille):parentesi piacevoli che danno spessore al disco. Alla fine del giro restiamo un po’ frastornati, sarà stato l’accumulo di immagini, di situazioni e di parole a volte cliché a volte intuizioni geniali. di Amos Martino
recensione kronic
Bellissimi Delusions in salsa lo-fi It 's a songwriting "ramshackle", to Vittorio Cane. Alas, however, to dwell only on appearance, because a voice behind clumsy, bordering on out of tune, no substance, there are songs catchy, original, reminiscent of the first Vasco Rossi, Rino Gaetano, Lucio Battisti. "Second" is a disc with photographs the everyday world of an artist who is not seeking daring musical constructions, but is limited to assume the texts with the simplicity of "low fidelity". Almost all fifteen tracks have a very good pop usability, strong choruses that remain in the lead quite easily. Excellent use of choirs, capable of giving a cut above so many songs, including the wonderful "Employee". In the album there is also room for some guests to Mao (the Revolution) the task of opening the CD, while the lock is assigned to the divine Remo Remotti, bizarre and brilliant poet, concludes that the work in its own way. You arrive at the end of the disc with the certainty of not having wasted their time. Perhaps - if you really want to be fussy - any song in less than an entire work would give better uniformity, but fair enough. Francesco Casuscelli
Out Pile
Character history Music already substantial, backed by a few demos, a first self-titled album released - as do what we have in our hands - mainly through the channels of the network and, consequently, a fair claim to autonomy from the commercial logic of the music, Vittorio Cane, aka Claudio Cosimato of Turin, is a songwriter atypical but framed in broad terms in one dimension "rough" out of tune and that has given us in recent years as a character Bugo. In any case, there are differences with the Novara and are certainly not few, seeing that dog seems to get closer to the figures of our history as the very first songwriting Vasco Rossi and Rino Gaetano, and his tone is more introspective. Beyond friendship with another batsman free Remotti like Remo, who was involved in some shows and that is the protagonist of the "Conclusion" of this work, the one with Mao, backing vocals on the single "I'll try," and texts that tell of urban worlds with bewildering accuracy and personal events and readings of the world, often to emerge on any item is an awkward that without doubt has its poetic value, but that sometimes is very difficult to sustain. For those who can overcome this obstacle, this is the voice of an outsider who deserves to be heard because it has a lot to say, in a song like "scattered" manages to get beyond the public affection for oddities and eccentricity of Alexander Besselva Averame
review indie rock
"It's hard not to become attached to small candid insights, the playful and a little sloppiness' that bitter songs of Victor dog can express"
Starring: Vittorio Cane (vocals, guitar), Paul Spaccamonti (guitar, Farfisa), Stefano Roman (sampling, synths), Stefano Danusso (bass), Walter Piatesi (drums), Simone and Palumbo Giulia Carnevali (vocals). DISTINGUISHING MARKS: behind the pseudonym no doubt guessed, a reflection of a desire for identification that is parochial ("Vittorio, as the King") and also artistic ("Dogs, ironic to find myself among my own kind "), lies the 34 year old Claudio Cosimato, abnormal dall'hinterland songwriter from Torino in Turin and celebrated as an icon Or, closer to the great circus of the Olympic festivities yet to Moltheni opening act, the Arab Strap (!) and others. Just three years ago, the debut album 'Vittorio Cane' did talk about himself almost exclusively to insiders, critics sharply divided between a group of detractors, not just horror for the quality crystalline some compositions, and a handful of enthusiastic worshipers, perhaps a bit 'too hasty in pronouncing the word' genius' with not a little lightness. Like it or not, all those who listened quel disco si sono posti l'inevitabile domanda "Ma questo ci fa o ci è?", facendo poi pendere l'ago del giudizio personale ora nell'una, ora nell'altra direzione, e riconoscendo di conseguenza nella scaltra insolenza oppure nella sincerità l'indubbia cifra espressiva di questo musicista. Chi scrive qui propende decisamente per la seconda opzione e per il correlato universo di significati e valori. INGREDIENTI: "Ci sono persone che cambiano e persone che cambiano il mondo", recita l'incipit nell''Introduzione'. Inevitabile che il piccolo Vittorio Cane rientri in entrambe le definizioni soltanto in termini infinitesimi. Rispetto all'esordio lo spostamento è quasi impercettibile e limitato all'umore del bislacco menestrello, almeno apparentemente più sereno nelle nuove creazioni rispetto alle vecchie. C'è una premessa obbligatoria per tutti coloro che non lo conoscono: difficile che l'impatto con Cane sia positivo, solitamente risulta straniante se non sconcertante. Naturale, è effetto della non-abitudine ad ascoltare musicisti tanto 'off', per cui la prima impressione è di sciatta e svaccatissima amatorialità. Il consiglio è di non fermarsi al primo ascolto e approfondire, perché Vittorio Cane sembra conoscere bene i trucchi per farsi apprezzare da chi è ben disposto nei suoi confronti. Il genere è un indie-folk intimista, aperto a contaminazioni sintetiche e alquanto sghembo, che rientra perfettamente nei canoni del cantautorato slacker: voce stentata, crooked melodies, dissonant guitars and fragile, minimal text, arrangements often approximate and style proudly "low fidelity", which adds a pleasant taste to play the joke (not the rare cut-up radio, for example). Behind the easy cliche is not possible to recover the traces of a vein genuine, just redefine its aesthetic criteria according to a different scale: Can not previously recognized in 'Mille' or 'Cascafaccia' signs of absolute spontaneity of heart that is not spurious or mediated. In this sense, the possible references are numerous, from Gaetano to Bersani, by Celentano in Tricarico, certainly gratifying as partial. The artistic spirit is no more akin dubbio Bugo, anche se il novarese è più smaliziato e disposto a buttare in burla i propri sentimenti. 'Secondo' non nasconde la propria scanzonatura poetica e visionaria, una grazia ingenua e un istinto pop sguaiato e surreale: i difetti sono evidenti ma l'album gioca a carte scoperte, sapendo di poter coinvolgere con altri mezzi. Prendendo confidenza si fa fatica a non affezionarsi alle piccole intuizioni candide, alla trasandatezza giocosa e un po' amara che le canzoni di Vittorio Cane sanno esprimere: a conti fatti le parole di Remo Remotti nel suo cammeo finale non sembrano esagerate e hanno tutto il sapore di un'investitura. DENSITA' DI QUALITA': Vittorio incarna perfettamente l'icona dell'antidivo, della persona comune, proponendo con ostinazione la sua poetica del piccolo e del semplice a partire dall'io narrante autobiografico, riflesso del giovane di periferia sensibile e un po' sbiellato alle prese con un mondo contorto, spersonalizzato, di difficile comprensibilità. In 'Ci Proverò', cantata insieme a Mao, Cane scrive il proprio manifesto estetico e riesce a parlare di contemporaneità con una voce nella quale ci si può riconoscere. Lo stesso vale per la dolce-amara 'Domenica', un brano che presumibilmente allude alla disoccupazione e all'Italia di questi anni duri. Quelli di 'Secondo' sono quadretti che raccontano di innocue fobie, ipocondria, anti-eroismo ma anche di volontà di riscatto, di quotidianità vissuta ai margini, con uno sguardo secondario and tenderness that is not privileged. 'Scattered' transmits the feelings of the human and emotional disorientation. Its text, like others, is disarmingly simple. In the apparent triviality is preserved but the true nature of the author, his little boy-and pastures free from any ideological superstructure tinsel or socio-cultural, surely one of the most praiseworthy quality of the disc: the proof that sometimes a little 'healthy disengagement ( 'Up here', 'Back Up') is not bad at all, indeed. The romantic attitude of the contemplative to the Buster Keaton or Forrest Gump ('The Hermetic') is the winning of a singer who knows how to turn your flaws (verses deadwood, discordant, inexperience and sgrammaticature) into elements of a more complex set of identity, then into strengths. Among the gems include a long autumn flavor that evokes Battisti ('Around'), plus a couple of love songs taken from the first album, a delightful and catchy ('You Do Something'), the other outlining the paradigmatic the classic loser 'non-luxury' ('Employee'), especially noticeable for the absence of rhetoric and forced poses. Note on 'Believe Again', a song very ruffled, contradictory, with vocals are not always in tune with the guitar part, and yet open to aspects not without charm (inserts between songs and electro-scratch) and a sensitivity index that leaves indifferent. SPEED ': a good description of the speed of' second 'was given by the same dog speaking of himself in an interview: "We were born to live in peace and walk, and we are here to run. I just want to walk and look around. " TEXT: "I organize my team, long balls and run / And I'm confused, but the world smiles', from 'Believe Again'. DECLARATION: from 'Losthighways.it': "I live amuse me, and they remain very different from the records instead where there is reflection and study ... well ... I like the live event to stop the songs if I find long, hear the people sing and leave it to them. " Stefano Ferreri
review Rockol
would be trivial to make puns with the name of our artist. Obvious, perhaps, but much irresistible. For that matter, is hard to resist even the verses that he wrote and the way she sings them. Vittorio Cane was born and raised in Turin. Aside the flute of the medium, his first encounter with the guitar at the age of sixteen. He made his debut later in 2000 with a first self-produced disc. Today, in 2008, behind the collection "In aller Freundschaft" (Living City) and the eponymous album, "Victor Dog" published three years ago by Innabilis Productions. In June finally released his new album, "Second", enriched by collaborations of note from the one with compatriot Mao (whose duet with the beautiful "I'll try," chosen as the first single), until you get to that with Remo Remotti. The songs are unpretentious dog. They seem to put there, played and sung to live, right first time. And if this thing the listener can feel it and appreciate it (I challenge anyone not to do it), that's it. so happens that the new "I'll try" and "Employee" and the older "craft", "The snow under the sun", and "neo-realist" - all played tracks on his MySpace - become a sweet discovery that you do not can do without talking. Then, as normal, people will leave more fascinated by a song from another: "Sunday" ("Today it is still Sunday, and are three days that it is Sunday" and finally, "But today is still Sunday, I am almost a year Sunday is ... ") and" I'll try "are two immediate and honest songs, songs that come immediately to head straight there and stay there. Daniela Calvi
review ONDALTERNATIVA
As the title points out, "Second" is the second work of Victor Dog, which hides under the pseudonym Claude Cosimato, I would call a poet who gives us surreal reality beads in simple forms but never trivial, through jingles are now in the lead (try it to listen to "Sunday"). Vittorio Cane is a songwriter who knows how to use words as an art form, so perhaps at times too clever, which makes the risk of not being understood and to be superficial to some listeners inconclusive. Who will listen to this work should attempt to enter a dreamlike dimension with the thoughts, "thinking in verse / and there is nothing to change" as the text says of "scattered". Only then can you understand all the complexity hidden under an appearance pop. Entering to speak more specifically of individual pieces, after an introduction that want to enter the world without patterns songwriter Turin welcomes us immediately engaging guitar single "I'll try," which now tends to stay in the head of the listener for its simplicity and musical text "I'll try / calmly / with all that I can / always" goes the refrain, enriched by the voice of Mao (to Revolution): the piece seems to be the artist's poetic manifesto. Then comes the third track, "Cascafaccia", which resembles' Vasco Rossi bubbles, in proportionate and surprising change of pace for the middle of a few seconds, the song that brings an end to the almost hypnotic rhythm ... broken by the metallic voice of traffic news. "Top" is a piece that I personally I found it very gently, which describes the figure of a man to whom the world is changing around and can not find a way. Excellent use of choirs, which will surely mean that the song creates an atmosphere around him is lost. is no wonder then that the bottom of "Sunday", with its sound that permeates throughout the song, upbeat and enjoyable that is made by the presence of trumpet and flute from the first listen you realize the potential of radio music. "Employee" is personally my favorite piece in the album, started from a scratch-style hip-hop then winds along a typical songwriting rhythm in which the keyboard is still to rule the roost, with a text in which the protagonist scopre ancora dipendente dai sentimenti e dalle abitudini piacevoli che essi provocano "Pensavo di esserne fuori/da dispiaceri e malumori/di amore e non amore/e invece sono un dipendente".Il finale è ancora arricchito da un coro,elemento che crea nuovamente una giusta alchimia,come già in precedenza. "Mille" è un pezzo in cui è ancora la chitarra acustica a dominare, con i suoi echi di classica malinconia;il testo è ancora la conferma della surrealità del cantautore torinese: "Ultimamente spesso/mi abbandona il cervello/nuovi medicinali/accumulati scaffali. La gallina dov'è? Il pollo son io". Come stessimo assistendo ad una piéce teatrale ecco l' "Intervallo", pezzo acustico di sola chitarra you need to give a little 'peace of the "spectator", the first of the new immersion in the poetry of "We still believe" piece from the hip-hop rhythm in which the scratch is the background to a Vittorio Cane which is expressed through football metaphors "I organize my team / long balls and run." I found this piece a bit out of tune 'the whole of a work that had the potential to be more homogeneous as it seems a bit' off set compact album "I'll give you something," which sounds are a bit 'confused. "dispersed", as mentioned above is, in my opinion, an indication of the mindset in which the listener has to "store" this cd ... the novelty of Victor Cane. "Quassù" è ancora una volta apprezzabile per l'ottimo uso dei cori che sorreggono la voce a tratti sgraziata ma efficace di Cane. "L'ermetico" è un ritratto che l'autore sembra dare di se stesso, sapendo che ad un primo ascolto può risultare un po' "instabile". Infine "Around", pezzo costruito su un paio di semplici accordi chitarristici e accompagnato da un testo irreale che si scioglie nel ritornello, una riflessione sullo scorrere del tempo e di come sia futile tenerne conto e si debba solo viverlo"E capire che/se tutto era previsto/ a calcolare il tempo/poi resta inutile".Ironicamente sul finale del brano si sentono una sveglia suonare e il tg meteo. La "Conclusione" è affidata alla genius and eccentricity of Remotti Remo, which in a few simple words and funny describes the figure of Victor dog as best you do not potrebbe.Remo and Victor, two poets surreal. Alessio Gallorini
review gufetto.it
"The poet of simple things", aka Victor dog, will be released soon with his new album "Second", which reflects glimpses of daily life of a thirty that is overwhelmed by feelings of inadequacy in relation to their life. Through his dream texts reflected the desire to succeed and overcome human frailty. Mao, Remo Remotti are just some of the prestigious names that have contributed the success of the last work of Victor Dog, artistically known as the "poet of simple things." Born and brought up musically in the capital of Savoy, his art acts as a reflection of a generation of young people who increasingly complain of discomfort caused dall'inettitudine base against the everyday. "Second", the name of the album (among other things, the second of his career), is a work that lends itself to a type of reflective listening, the arrangements give off a good dose of serenity, the voice is focused on limit of its possibilities, as if to underline the state of distress, the lyrics are attributable in part to a mind surrealistic, partly dream concepts. Most of the songs on this album is a kind of internal dialogue that everyone should hope to achieve a higher level of awareness, as expressed in the lyrics of "I'll be back up." 'It's better slip away and look up "was the motto of the Dog through the passing of the evening feels the sadness grow, so that it could go on. "I'll try" is a track featured in the earlier albums and, as they did on that occasion, he sees the presence of Mao (Mao and the Revolution), which has a key role both in terms of music than on the meaning testuale. La canzone può sostituire la quotidiana dose di autostima, dal momento che si ripete un battuta importante,“ ci proverò serenamente con tutto quello che posso sempre…”. Sicuramente fondamentale è il ruolo assegnato a Mao che funge come una sorta di mèntore, allo stesso modo con cui la coscienza ci parla per far sbloccare le situazioni più critiche; inoltre è importante anche la valenza che il cantante torinese attribuisce all’aspetto musicale, dal momento che la voce di Vittorio Cane, precedentemente portata a toni più aspri, rientra “in carreggiata” con il resto della composizione proprio nel ritornello che la vede protagonista insieme a quella di Mao. Per restare in sintonia with the idea to get out of an inconvenient situation, the text of "Sunday" is certainly very focused: the boredom that attacks certain times of the day makes it seem as if they lived in the same day, leads us to distinguish what kind of world exist, as if everything is periodically repeated, endlessly and diversification. There are only few who see through the monotony and then try to overcome it, even if late, but with the idea of \u200b\u200brecovering. In contrast to this idea of \u200b\u200brebirth in some songs, it is also extensively analyzed the idea of \u200b\u200bawareness of human frailty. In fact, while Vittorio Cane preaches the importance of trying always in other songs such as "Employee", "Cascafaccia" and "Thousand" reveals very likely his true personality, that may feature a bit 'all artists. This concept of finiteness, which never abandoned him, made even more tangible by the sounds used that do not seem fully in harmony with each other, also accompanied by his voice that seems to come out of the composition. Very good, then, the name by which it recognizes that the "poet of simple things" because it is true that they are hidden beneath the great truths, but especially well suited to the title of "poet", because through His verses, in which may at first seem off easily decipherable, are hidden in small truth, also good in the way it uses the lexicon, since, through his words, in the minds of open frameworks with fascinating images of urban life today. Sara Valentino
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