Growth On Hamster Ear

The Way of the bow, the way of voice.

After reading "Zen and the Archery by Eugen Herrigel " I thought that there was a certain similarity between the archer and the singer. The archer draws his bow and prepares to shoot and shoots an arrow, and the vocalist (particularly that which carries the overtone singing) is preparing his bow (the body), draw the string through the movements of the tongue ... body and his arrow creating harmonics above the fundamental note.

Only after I enrolled in a course of archery, and have learned to shoot, arrived intuition.

through vocalisations of the phoneme: HIM can view and copy the three positions of the archer. This exercise can be used in particular in the two-cavity harmonic singing, that is the technique which provides for the lifting of the tongue towards the palate, to form two resonance zones, the upper and lower. Through appropriate control we can get two (or more) within a vocal harmonics.

The first step is to ' Nock the arrow through the vocalization of the consonant L . The language is placed in contact with the dental alveoli (upper incisors).

We then move on to the vowel U , corresponding to the phase of the stretch the arc. The vowel u is characterized by lip closure, that forms a closer, and dall'arretramento language.

Finally shoot the arrow speaks the I , language flattens and its outer edges are in contact with the inside of the molars and premolars (upper jaw), the tip snaps forward as the tip of the arrow when it leaves the bow taut string

the eventually join the three movements: NOCK (L), tend (U), shell (I) in one issue ...... and the arrow reaches the target! E ' so that the singer, as the archer, becomes one with his song.

Lorenzo Pierobon